Publication History |
"The Revenge of the Rose," a recent Elric novel by Michael Moorcock, is
difficult to place within timeline of the original Elric series.
Taking a break from the peace of Tanelorn, Elric encounters the dragon
Scarsnout, who returns him to Melniboné. As he expects, he finds the capital
city in ruins. It is, however, not Imrryr but rather its predecessor, H'hui'shan,
which stood upon the same site before the Melnibonéans made their pact with
Chaos, destroyed H'hui'shan in civil war, and began the Bright Empire's 10,000
year rule.
In the smoky ruins of H'hui'shan, Elric meets his father's ghost. Sadric made
too many bargains during his life and, in death, his soul is claimed by both
Arioch and Mashabak of Chaos. While the gods bicker between themselves,
Sadric has hidden his soul within a black rosewood box. Yet the box has been
lost. Without it, Sadric cannot release his soul into the Forest of Souls where it
would be safe from the gods. Sadric and Elric bear no love for each other and,
thus, to ensure Elric complies with his wish, Sadric binds the two together – if
Elric doesn't complete the quest (or dies trying) then his soul will forever be
entwined with his father's. Such would be punishment enough for anyone, but
given Sadric and Elric's strong feelings about each other, the punishment is all
the crueler.
Thus begins an adventure through time and space in which Elric gains the aid of
an odd assortment of companions including: Ernest Wheldrake (a fictional poet
borrowed from real-life Victorian poet and critic Algernon Charles Swinburne,
known for flowery and erotic works), a small, red-headed, time-traveling bard
whose half-remembered rhymes are often prophetic; the Rose, a superior
fighter and sorceress whose quest dovetails with Elric's own; and the Phatts, a
clairvoyant family of gypsies. Together, they search for three sisters, who they
learn have the soulbox, along with other artifacts of power. They also learn
that they have competition in their quest to find the sisters and the artifacts:
Prince Gaynor the Damned races for the artifacts, the sisters, and to bring
whole worlds under the rule of Chaos.
"The Revenge of the Rose" is full of all the action of the original Elric series
without yet the full-blown philosophy of the "Tales of the Ablino," which follow
it. Like "The Fortress of the Pearl," it both benefits and suffers from the longer
form offered by novels rather than serials. Moorcock has more room to
explore the fantastic landscapes and cultures for which he is acclaimed and
those readers who felt such elements got short shrift in the serials may be
gratified for a chance to linger. References to history, philosophy, and
metaphysics are more prominent; rather than left to simple allegory, they are
reflected upon by the characters. This reflection, however, significantly slows
down the movement of the work. Other distractions include the author shifting
between present and past tense and between normal print and italics, without
clear reason. Lastly, the plot twists can seem like convolutions for
convolutions' sake; rather than increase tension, they result in plot and
behavioral inconsistencies.
This reader concluded that, while a satisfying read, "The Revenge of the Rose"
would have benefited from being shorter. I rate it a 7 out of 10.
difficult to place within timeline of the original Elric series.
Taking a break from the peace of Tanelorn, Elric encounters the dragon
Scarsnout, who returns him to Melniboné. As he expects, he finds the capital
city in ruins. It is, however, not Imrryr but rather its predecessor, H'hui'shan,
which stood upon the same site before the Melnibonéans made their pact with
Chaos, destroyed H'hui'shan in civil war, and began the Bright Empire's 10,000
year rule.
In the smoky ruins of H'hui'shan, Elric meets his father's ghost. Sadric made
too many bargains during his life and, in death, his soul is claimed by both
Arioch and Mashabak of Chaos. While the gods bicker between themselves,
Sadric has hidden his soul within a black rosewood box. Yet the box has been
lost. Without it, Sadric cannot release his soul into the Forest of Souls where it
would be safe from the gods. Sadric and Elric bear no love for each other and,
thus, to ensure Elric complies with his wish, Sadric binds the two together – if
Elric doesn't complete the quest (or dies trying) then his soul will forever be
entwined with his father's. Such would be punishment enough for anyone, but
given Sadric and Elric's strong feelings about each other, the punishment is all
the crueler.
Thus begins an adventure through time and space in which Elric gains the aid of
an odd assortment of companions including: Ernest Wheldrake (a fictional poet
borrowed from real-life Victorian poet and critic Algernon Charles Swinburne,
known for flowery and erotic works), a small, red-headed, time-traveling bard
whose half-remembered rhymes are often prophetic; the Rose, a superior
fighter and sorceress whose quest dovetails with Elric's own; and the Phatts, a
clairvoyant family of gypsies. Together, they search for three sisters, who they
learn have the soulbox, along with other artifacts of power. They also learn
that they have competition in their quest to find the sisters and the artifacts:
Prince Gaynor the Damned races for the artifacts, the sisters, and to bring
whole worlds under the rule of Chaos.
"The Revenge of the Rose" is full of all the action of the original Elric series
without yet the full-blown philosophy of the "Tales of the Ablino," which follow
it. Like "The Fortress of the Pearl," it both benefits and suffers from the longer
form offered by novels rather than serials. Moorcock has more room to
explore the fantastic landscapes and cultures for which he is acclaimed and
those readers who felt such elements got short shrift in the serials may be
gratified for a chance to linger. References to history, philosophy, and
metaphysics are more prominent; rather than left to simple allegory, they are
reflected upon by the characters. This reflection, however, significantly slows
down the movement of the work. Other distractions include the author shifting
between present and past tense and between normal print and italics, without
clear reason. Lastly, the plot twists can seem like convolutions for
convolutions' sake; rather than increase tension, they result in plot and
behavioral inconsistencies.
This reader concluded that, while a satisfying read, "The Revenge of the Rose"
would have benefited from being shorter. I rate it a 7 out of 10.
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| The Revenge of the Rose (Michael Moorcock) By SC Bryce |
First Printing:
FantasyBookSpot.com (Sept. 26, 2005).
FantasyBookSpot.com (Sept. 26, 2005).
Third Printing:
SCBryce.com (Dec. 22, 2006).
SCBryce.com (Dec. 22, 2006).
Second Printing:
SFReader.com (Sept. 30, 2005).
SFReader.com (Sept. 30, 2005).
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